Happy Year of the Tiger!

Red hong bao envelopes with a design of an illustrated tiger holding a customizable sign. Around the tiger are flowers and text saying "Wishing you a stripe-endous new year!" Behind the envelopes is a sheet of paper containing an unfinished envelope (printed but not cut out). A pair of gold scissors sits to the right.

It’s been so long since I’ve posted anything here. But new year, new leaf. And I’ve got a few bits of writing news to share as the Year of the Tiger approaches. (Hard to believe that Lunar New Year is already a little over a week away!)

First, in 2021, I picked up and started submitting again. Over the summer, I got pretty lucky! Counterclock chose three pieces that I’d written during the first year of the pandemic to appear in its thirteenth issue as part of a special themed folio, “Outbreak, Part 2.” You can read them below. (Excitingly, I’ve already got three more pubs forthcoming in 2022—more to come soon.)

Three Poems by Iris A. Law (Counterclock, Issue 13, Outbreak, Pt. 2)

I also started 2022 off by getting new author photos taken! It had been nearly nine years since I shot the selfie that previously appeared on this website (and that I used on my chapbook). I was long overdue for a change. Photographer Elwing Gao shot my new photos right in my neighborhood and did a lovely job — I love how, in the final photo I’ve chosen here (you can see it in the sidebar), she was able to catch some pretty golden-hour light coming through the stand of redwood trees behind the local fire station.

Lastly, I think I’m going to start sharing some freebie printables here on this blog from time to time. I experimented with making my own hong bao (Chinese red envelopes used for Lunar New Year) this year, and they turned out so fun that I couldn’t help but want to share. Click on the link below to download a free printable design that you can use to make your own Year of the Tiger red money pockets.

Year of the Tiger Printable Red Envelope (PDF Digital Download)

Wishing you a healthy and happy 2022—here’s to fresh starts and following through on new intentions!

Two Poems in WILDNESS Issue 17

It’s been a long time since I last touched this blog! This comes as late news, but I’m happy to announce that after an (unintentional) two-year hiatus while my attention was focused on classroom teaching, I’m back to working on my manuscript and submitting again, and at the end of last year, I was fortunate to be featured in my first journal publication since 2016. In December 2018, I was lucky enough to have two poems picked up by wildness, an exquisite and ethereal online lit mag out of the UK’s Platypus Press.

One of the pieces they took, “Book of Hours,” is the (current) titular poem from my still-in-progress full-length manuscript; it’s an elegy for my dad, one of a number that are written after particular psalms.

The other piece, “A Skein of Geese,” comes out of a fun project that I began over the summer. For the past few years, I’ve been working with middle school writers, and I love to assign them poetry exercises that will spark their imaginations and cause them to think about language in new and surprising ways. Last June, as I was returning to my own writing practice after such a long time away, I decided that it only seemed fair to assign myself the same types of prompts I like to give to students. I practiced writing with “synesthetic description.” I tried writing with more attention to smells (that oft-neglected sense). I wrote some poems that dug into my Harry Potter fandom. And I borrowed evocative terms of venery (collective nouns) for animals and used them as titles, imagining the possibilities of what could happen if, for example, a hover of trout could really fly—or, in the case of the poem that wildness took, a skein of geese could really embroider the fabric of the sky.

I’m grateful to Michelle Tudor of wildness for taking a chance on me and my little experiments. And I’m even more thrilled that these, my first published pieces in over two years, appear in the same issue as an interview with my dearest writing friend and LR partner, Mia Ayumi Malhotra. (Whose first collection, Isako Isako, came out last fall and who, as usual, has endless pearls of wisdom to share in the interview!)

If you have a moment this weekend, I’d be grateful if you’d hop over to wildness 17 and give the issue a little love!

Where to Find Me at AWP 2016

Iris's New Business Cards for AWP 2016

I’m off to the Association of Writers and Writing Programs’ 2016 conference in Los Angeles for the next few days! I just designed some new business cards for myself (pictured above; I got them printed at Moo.com, my favorite place to do short-run printing of this sort), and my bags are just about packed (leaving room, of course, for the huge cache of books I always manage to acquire while there!) Here are a few notes about where to find me and my work this weekend if you’ll be going too:

1. Look for me anywhere Lantern Review is.

My coeditor, Mia, and I recently relaunched our literary magazine and blog, Lantern Review, and we’re planning on hanging out at as many APIA-poetry-related events as we can. At the very least, we’ll be attending the Asian American caucus on Thursday evening and will be selling books for Kundiman at their (and Kaya Press’s) “Literoake” off-site event on Friday night. We don’t have our own bookfair table this year as we have in the past, but Kundiman has very kindly offered to let us put some business cards on their table (1018). As always, I’ve designed our LR cards to double as pocket-sized art, and this year, they contain some of our cover images from past issues in addition to quotes from the blog and the magazine that have to do with light and illumination (since we are LANTERN Review . . . get it?). I’d love it if you stopped by to pick one up, either to share with a friend or take home for yourself. (Also, if you’re interested in finding out more about APIA poetry at AWP this year, I’ve also created a guide for the Lantern Review blog that went up yesterday. Please do click on over to read up on events of interest and to download our free companion to the bookfair.)

2. Pick up a copy of the new issue of Exit 7 in the bookfair.

I have four poems in the new issue of Exit 7, a beautiful literary journal run out of a two-year college in Paducah, KY. The first year that LR had a table in the bookfair (2011, which was incidentally also my first year living in KY), the conference placed our table right next to Exit 7‘s, and I got to meet Britton and Amelia, the fantastic couple that edits and runs the magazine. Earlier this year, Exit 7 was kind enough to accept some of my work for their current issue, and they will be selling copies in the bookfair at table 412. Please do stop by and consider purchasing a copy of the issue to read my poems (several of which are set in Lexington!) and to support the amazing editorial work that Amelia and Britton do. (Amelia also has a new book out this spring from Sarabande, The Spoons in the Grass Are There to Dig a Moat. I recommend picking up a copy of it at Sarabande’s table, 513.)

3. Visit the Kundiman table and buy a copy of Periodicity to support their work.

I’m donating several copies of my chapbook, Periodicity, to Kundiman to be sold (along with other fellows’ books and chaps) as part of a fundraiser to support their work. Kundiman is an amazing literary nonprofit that supports Asian American writers through retreats, mentorship, and community, and as a Kundiman fellow, I’ve grown so much and have benefited so deeply from their work. They have a very special place in my heart, and I’m so honored to have the opportunity to give back to them even in this small way. If you have some extra cash during the conference, please do consider stopping by their bookfair table (1018) or dropping in at one of their events where they will be selling books to help support by buying a copy of Periodicity or any of the scores of other amazing titles by other Kundiman fellows that will be available.

* * *

I’m off now to take care of some last minute things before jetting off to LA, but if you’ll be at AWP this weekend, please come find me and say “hello”!

p.s. Curious about Moo.com and want to try it out yourself? Here’s a referral link that will let both you and me save a little money on our next orders (you’ll save 10% on your first order, and I get some store credit to spend).

No Greater Love: Free Printables for Celebrating Community & Friendship this Valentine’s Day

Valentine's Day Card (framed)

This is my commandment: Love each other in the same way I have loved you. There is no greater love than to lay down one’s life for one’s friends.
—John 15:12–13 (NLT)

I’ve been meditating on community a lot lately. Ash Wednesday was a couple of days ago, and during this season of Lent, I’ve been trying to be more intentional about focusing less on the things that I don’t have or think that I want and more on the things that I’ve already been given. Less online window-shopping, more thank you notes. Less time spent on mindless internet video-watching, more time spent investing in (and praying for) the people around me. As a writer, as a woman of color, as a Christian, my community is so important to me. And this past year, it seems, I’ve been finding so much life the more I dig in.

John 15 (the vine and the branches) was one of the readings for our wedding last summer. In it, Christ urges His disciples to abide in Him, and also to love one another as He has loved them. This is my command, he says, to love one another. His command. It’s pretty astonishing to me (in a good, crazy kind of way) that Jesus, while giving His last set of instructions to His friends before His death, was as concerned with their relationships with one another—with the health of their community—as He was with their relationships to Him.

I’ve been so grateful for my community these past few months. At our wedding, one of the things that felt most special to my husband and me was the fact that we were supported and surrounded at every turn by the people that we loved. From the worship band made up of friends and family, to the all-nighter that our friend J pulled decorating the church, to the weeks that my mom and her friends spent carefully sculpting delicate tissue paper into flowers for the centerpieces, to the late nights my mother-in-law stayed up with us to help finish putting together favors (and more! so many people helped in so many ways), we felt loved beyond measure. When my husband landed his current job and had to move out West without me for a few months, our community in Kentucky closed ranks around me—bringing me soup and medicine when I was sick for two weeks; giving me rides; praying for me and inquiring about how I was doing. When I decided to focus on my writing again after a long dry spell, there again was community, pounding down my door: one morning at the office, I got a call out the blue from a woman named Tanya, who invited me to be a part of what turned out to be an amazing community of WOC writers, creatives, leaders, and professionals, right in my hometown. Now that I’m back in California, I’ve begun to meet regularly with M, my closest writing friend, whom I’ve long considered to be my literary co-conspirator, and it is like a long drink of water to be physically present in the same space after so many years of corresponding almost exclusively through Skype and email.

Kundiman, the community of Asian American writers that has been a constant part of my life for a few years now, has a bumper sticker it gives out at conferences that says “Kundiman is for lovers.” Because a kundiman is a love song written and sung under duress—a love song that arises out of hope and devotion to one’s people—and because what is a writer without the strength and solidarity of his or her chosen community? Certainly, I am the stronger for mine.

This Valentine’s Day, even while my husband and I are celebrating together, I’ll also be thinking about our community, and the radical ways in which their love has enabled us to grow and to thrive—both together and as individuals. John 15:13 has been running through my head constantly, and in the spirit of gratitude, I thought I’d share a little something that I made here with you.

Free Printable Files:

“No Greater Love”—Two 5″ x 7” black and white flat cards
“No Greater Love”—Two 5″ x 7” color flat cards

Valentine's Day Cards (all)

This little hand-lettered assortment of flat cards prints at 5″ x “7 (two to a letter-sized piece of paper or cardstock) and can be slipped into an envelope and used as notecards, framed and hung up as wall art, or glued to a card front to make a folded greeting card. The print comes in four different colorways, and to give you an idea of what you can do, I’ve come up with four different ways to treat them.

You’ll want to start by downloading one or both of the files above and printing each on a sheet of letter-sized (8.5″ x 11”) piece of cardstock or heavy paper. Make sure that you are printing in color, not grayscale (I don’t own a color printer, so I had mine printed at a copy shop nearby), and that you tell the printer to print at “actual size” (you don’t want the computer to scale it down, or you’ll end up with cards that are smaller than 5″ x 7″). Once you’ve printed the files, use a paper trimmer or a craft knife and ruler to cut each card down to size. I’ve included some gray trim marks for you so that it’s easier for you to line up your straight edge or blade with exactly where you need to cut.

Valentine's Day Cards (trimming)

Once you have the cards cut out, you can have some fun with them! I put the simplest design, the one with black text on a white background, in a clean, gold-tone frame (which you can see at the top of the post). For the card with a red background, I simply rounded the corners with a punch and paired it with an envelope to use as a notecard.

Valentine's Day Card (red--rounding corners)

For the design that has red-and-black text, I folded a sheet of 60-lb, kraft-colored cardstock in half, trimmed it down to be slightly larger than the size of the print, and glued them together to make a folded greeting card.

Valentine's Day Card (folded card)

As for the design with a black background and white text, I thought it looked a little bit like the night sky, so I colored in the heart and added a few scattered dots of different sizes with gold and white gel pens (the photograph shows a gold Uniball Signo gel pen and a white Gelly Roll pen, but actually, I ended up using Uniball Signos for both the gold and the white, since I liked the flow and opacity of the ink better).

Valentine's Day Card (black card being embellished)

Whether you’re alone or with loved ones this weekend, I hope you’ll print, cut out, and keep one or more of these cards—but even more so, that you’ll consider giving one away as an encouragement to someone who has made a difference in your life just by being there. Happy Valentine’s Day! Let’s celebrate community and friendship together.